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13th Duchess of Alba6th Contessa of Montijo and Her Four DaughtersA Bad Night, Plate 36 of Los Caprichos, c.1799A Blind Man Playing Guitar Cartoon for a Tapesty at the Prado; 1778A Bullfight in a Village, 1812-1814A Dead Turkey, circa 1808-12A Fight Outside the New Tavern Cartoon for a Tapestry; 1777A Heroic Feat! with Dead Men!, Plate 39 of "The Disasters of War " 1810-14, Published 1863A Maja and Gallants, 1777A Tough One, This!, Plate 31 of "The Disasters of War " 1810-14, Published 1863A Village BullfightA Way of Flying, Plate 13 of "Proverbs " 1819-23, Published 1864A Woman's Charity, Plate 49 of "The Disasters of War " 1810-14, Published 1863Abducting Horse, Plate 10 of Proverbs, c.1819-23Alejandro O'ReillyAlla Va Eso, (This Way), Etching No. 66 from the Caprichos, Around 1798Allegory of Industry, Painted for the Palace of the Queen's Favourite Manuel De Godoy, 1797-1800Allegory of Trade, Painted for the Palace of the Queen's Favourite, Manuel Del Godoy, 1797-1800An Ecstatic Witness, Detail from the Miracle of St. Anthony of Padua, from the Cupola, 1798And There's No Help for It, Plate 15 of "The Disasters of War " 1810-14, Published 1863And They are Like Wild Beasts, Plate 5 of "The Disasters of War " 1810-14, Published 1863And This Too, Plate 45 of "The Disasters of War " 1810-14, Published 1863Antonia ZarateAppeals are in Vain, Plate 54 of "The Disasters of War " 1810-14, Published 1863As Far Back as His Grandfather, Plate 39 of "Los Caprichos", 1799Attack on a Coach, 1787Autumn, or the Grape Harvest, 1786-87Barbarians!, Plate 38 of The Disasters of War, 1810-14, Pub. 1863Because She was Susceptible, Plate 32 of "Los Caprichos " 1799Beggarwoman, 1808-1814Bitter to be Present, Plate 13 of "The Disasters of War " 1810-4, Published 1863Blind Man's BuffBlind Man's Buff, 1788-9Blind Man's Buff, Cartoon for a Tapestry, 1787Blow, Plate 69 of "Los Caprichos " 1799Boys Climbing a TreeBoys Climbing a Tree Cartoon for a Tapestry at the El Escorial; 1791-92Boys Climbing a Tree, Cartoon for a Tapestry, 1790-92Boys with a Wild Dog 1786-87Bullfight in a VillageBullfighting, 1815-16Bury Them and Keep Quiet, Plate 18 of "The Disasters of War", 1810-14, Pub. 1863Cannibals Savouring Human Remains, c.1800-08Cardinal Don Luis De Bourbon (1777-1823) circa 1800Carlos III (1716-1788)In Hunting CostumeCarlos IV of Spain, HuntingCharlatan's Show, a Caricature of the Court Surrounding King Ferdinand VII of SpainCharles IVCharles IV (1748-1819) and His Family, 1800Charles IV And His FamilyCharles IV on HorsebackChinchillas, Plate 50 of Los Caprichos, c.1799Christ Crucified, 1780Christ in GethsemaneChrist on the Mount of Olives, 1819Confession in PrisonCouple with a ParasolCourt of the InquisitionCruel Tale of Woe!, Plate 48 of "The Disasters of War " 1810-14, Published 1863Dance on the Banks of the River Manzanares, 1777Dead TurkeyDog, Half Submerged, on of the Black Paintings from the Quinta Del Sordo, Goya's House, 1819-1823Don Gaspar Melchor De JovellanosDon Jose Monino, Count Floridablanca (1728-1808), Painted Around 1783Don Juan Bautista de MuguiroDon Luis De Bourbon (1773-1803), Prince of Parma and King of Etruria, Son-In-Law of Charles IVDon Manuel Osorio de ZunigaDon Manuel SilvelaDona Isabel De Porcel, Exh. 1805Dona Isabel Lobos De Porcel, Before 1805Dona Leocadia Zorrilla, Goya's Companion During the Last Few Years of His LifeDona Maria Antonia Gonzaga, Marquesa De VillafrancaDona Maria Palafox Y PortocarreroDona Tadea Arias de Enriquez, 1793-94Dreadful Events in the Front Rows of the Ring at MadridDuel with ClubsDuel with Cudgels, Detail, A Black Painting from the Quinta Del Sordo, Goya's House, 1819-1823Duel with Cudgels, One of the Black Paintings from the Quinta Del Sordo, Goya's House, 1819-1823Duke of Wellington, 1769-1852El AquelarreEl Famoso Americano, Mariano CeballosEl Gran CabronEl Lazarillo De Tormes, 1808-1810El Pelele (The Puppet) 1791-2Equestrian Portrait of General Palafox, 1814Equestrian Portrait of Maria Teresa De VallabrigaEquestrian Portrait of Queen Maria Luisa Wife of King Charles IV of SpainErotic Couple on a Chair, c.1880Even Thus He Cannot Make Her Out, Plate 7 of "Los Caprichos " Published 1799Even Worse, Plate 22 of "The Disasters of War " 1810, Published 1863Execution of the Defenders of Madrid, 3rd May 1808, Detail of a Man with His Hands Raised, 1814Execution of the Defenders of Madrid, 3rd May, 1808, 1814Fantastic VisionFantastic Vision (Asmodeus)Feline Pantomime, Plate 73 of "The Disasters of War " 1810-14, Published 1863Ferdinand Guillemardet (1765-1809), French Ambassador to SpainFerdinand VIIFight with CudgelsFight with Young BullsFolly of Beasts, from the Follies Series, or Other Laws for the People, circa 1815-24Folly of the Bulls, from the Follies Series, circa 1815-24Francisco De Borja, 10th Duke of Osuna, 1816Frontispiece to "The Disasters of War"Funereal Riddle, Plate 18 of Proverbs, 1819-23, Published 1864Gaspar Melchor de Jovellanos, 1797-98General Antonio RicardosGeneral Jose de UrrutiaGeneral Urrutia (1739-1809)Get Them Well, and on to the Next, Plate 20 of "The Disasters of War"Girls Carrying Jugs of Water Cartoon for a Tapestry at the Prado; 1791-92Goya Y Lucientes, Self-PortraitHarvest of the Dead, Plate 63 of "The Disasters of War " 1810-14, Published 1863He Deserved It, Plate 29 of "The Disasters of War " 1810-14, Published 1863He Gets Something out of It, Plate 40 of "The Disasters of War " 1810-14, Published 1863Here Comes the Bogeyman, Plate 3 of Los Caprichos, Pub. 1799Here Too, Plate 43 of "The Disasters of War " 1810-14, Published 1863Hobgoblins, Plate 49 of "Los Caprichos " 1799Hunter Sitting at a Fountain 1786-87HuntingI Am Still LearningInfant Luis De Borbon (1773-1803), 1783It Serves You Right, Plate 6 of "The Disasters of War " 1810-14, Published 1863It Will Be the Same, Plate 21 of The Disasters of War, 1810-14It is Better to be Lazy, Plate 73 of "Los Caprichos " 1799It is Time, Plate 80 of Los Caprichos, c.1799It's No Use Crying Out, Plate 58 of "The Disasters of War " 1810-14, Published 1863It's a Hard Step!, Plate 14 of "The Disasters of War " 1810-14, Published 1863Judith and Holofernes, A Black Painting from the Quinta Del Sordo, Goya's Hourse, 1819-1823King Charles III as a Huntsman, 1786/88King Charles IV (1748-1819) of Spain and His FamilyKing Charles IV of Spain (1748-1819), Preparatory Life-Study for the Family PortraitKing Ferdinand VII (1784-1830), BozettoKing Ferdinand VII (1784-1830), Equestrian PortraitKing Philip IV of Spain (1605-1665) Opening the Junta of the PhilippinesLa Comtesse de ChichonLa Marquesa De VillafrancaLa Tauromaquia SeriesLady with a FanLast Communion of San Jose De CalasanzLazarillo de Tormes, 1819Le Temps, Dit les VieillesLeocadia Zorilla, the Artist's Housekeeper, c.1821Linda Maestra, Gentle Mistress, Etching No. 68 from the Caprichos, Around 1798Linda Maestra, Plate 68 of "Los Caprichos " Late 18th CenturyLittle Boy and a Tree Cartoon for a Tapestry at the El Escorial; 1779-80Love and Death, Plate 10 of "Los Caprichos " Published 1799Lunatic AsylumMaja and Celestina on a Balcony, 1805-12Maja and Celestina under an ArchMale PortraitManuel GodoyMariana Waldstein (1763-1808) 9th Marquesa of Santa Cruz, circa 1797-99Mariana Waldstein, Marquise De Santa Cruz (1763-1808)Might Not the Pupil Know More?, Plate 37 of "Los Caprichos " 1799Modo De VolarNeither Do They, Plate 10 of "The Disasters of War " 1810-14, Published 1863Neither More Nor Less, Plate 41 of "Los Caprichos " 1799Nobody Knows Himself, Plate 6 of "Los Caprichos " Published 1799Nor Do These, Plate 11 of "The Disasters of War " 1810-14, Published 1863Nor in This Case, Plate 36 of "The Disasters of War " 1810-14, Published 1863Nothing Could Be Done About It, Plate 24 of Los Caprichos, c.1799Nothing, the Event Will Tell, Plate 69 of The Disasters of War, 1810-14, c.1863Nude MajaOf What Ill Will He Die? Plate 40 of "Los Caprichos " 1799Of What Ill Will He Die?, Plate 40 of "Los Caprichos " 1799One Can't Look, Plate 26 of "The Disasters of War", 1810-14, Pub. 1863Out Hunting for Teeth, Plate 12 of "Los Caprichos", Late 18th CenturyPerhaps They are of Another Breed, Plate 61 of "The Disasters of War"Philip III King of SpainPicnic on the Banks of the Manzanares, Cartoon for a Tapestry, 1775Pilgrimage to Saint Isidore's Well (The Holy Service)Pilgrims Before the Capel of Saint Isidore La Ermita De San Isidro El Dia De La Fiesta 1788Portrait Thought to be Josepha Bayeu the Artist's Wife, circa 1798Portrait of An Unknown Man With ScarfPortrait of Antonia Zarate, 1810-11Portrait of Charles IvPortrait of Don Francisco de Borja Tellez Giron circa 1816Portrait of Don Jose Monino Y Redondo I, Conde de Floridablanca, 1783Portrait of Dona Francisca Vicenta Chollet y Caballero, Seated, Three-Quarter Length, with Lap-DogPortrait of Ferdinand Guillemardet, French Ambassador to Spain from 1798 to 1800, 1799Portrait of Maria TeresaPortrait of Maria Teresa De Vallabriga, the Condesa De Chinchon's Mother on Horseback, 1783Portrait of Maria Theresa De Bourbon Y Vallabriga, the Condesa De Chinchon, 1801Portrait of Marianito Goya, Grandson of the Artist, circa 1815Portrait of Mariano Goya (1806-74) 1815-17Portrait of Queen Maria LuisaPortrait of Queen Maria Luisa Wife of King Charles IV of SpainPortrait of SabatiniPortrait of the 10th Marquesa De Santa Cruz as the Muse EuterpePortrait of the Countess of Carpio (1757-95) Marquesa De La Solana, circa 1793Portrait of the Infante Don Luis de BourbonPortrait of the Wife of Juan Cean BermudezPortrait, Presumed to be the Artist, 1775Prayer at GethsemanePretty Teacher!, Plate 68 of Los Caprichos, c.1799Procession of Flagellants Near an Arch, 1813Procession of Flagellants, 1815-19Procession of PenitentsQueen Maria LuisaQueen Maria Luisa Teresa of Parma, Queen of Spain and Wife of Carlos IVQueen Maria Luisa of Spain (1751-1819), Preparatory Life-StudyRabble, Plate 28 of Disasters of War, 1810-14Ravages of War, Plate 30 of "The Disasters of War " 1810-14, Published 1863Readin, Also Called The Politicians, A Painting from the Quinta Del Sordo, Goya's House, 1819-1923Riddle of Fear, Plate 2 of Proverbs, 1819-23, Pub. 1864Rightly or Wrongly, Plate 2 of "The Disasters of War " 1810-14, Published 1863Sad Forebodings of What is to Come, Plate 1 of "The Disasters of War", 1810-14, Pub. 1863Saint Francis Borgia Taking Leave of His RelativesSaint Isidore's Day, DetailSaint Isidore's Day, on of the Black Paintings from the Quinta Del Sordo, Goya' House, 1819-1823Saturn Devouring One of His Children, 1821-23Saturn Devouring One of His Sons, Detail, from the Series of Black PaintingsSaturn Devouring One of His Sons, from the Series of Black Paintings, 1819-1823Savages Cutting a Woman's ThroatSavages around a FireScene from El Hechizado Por FuerzaSecond of May, 1808Self PortraitSelf Portrait at the Age of 69, circa 1815Self Portrait in the StudioSelf Portrait with Glasses, 1788-98Self Portrait with Spectacles, circa 1800Self Portrait, 1783Self Portrait, 1815Self Portrait, 1824Self-Portait, Aged 69Senora Sabasa GarciaSimpleton, Plate 4 of "Proverbs " 1819-23, Published 1864Soldiers Guarding Routes Used for the Tobacco Commerce Cartoon for a TapestrySpring or the Flower Seller, 1786St. Anthony Preaching, Detail from the Miracle of St. Anthony of Padua, from the Cupola, 1798St. Francis Borgia Helping a Dying Impenitent, 1795St. Hermengild in Prison, circa 1799St. Justina and St. Rufina, 1817St. Theresa of AvilaStill Life of Sheep's Ribs and Head - the Butcher's ConterStill Life with Sheep's HeadStill Life with Slices of Salmon, 1808-12Still-LifeStrange Devotion!, Plate 66 of "The Disasters of War " 1810-14, Published 1863Strolling Players, 1793Study For an Equestrian Portrait of the Duke of WellingtonSummer, or the Harvest, 1786Tantalus, Plate 9 of Los Caprichos, c.1799Thanks to the Millet, Plate 51 of "The Disasters of War " 1810-14, Published 1863That is the Worst of It!, Plate 74 of "The Disasters of War " 1810-14, Published 1863The 3rd of May 1808 in MadridThe Agility and Audacity of Juanito Apinani in the Ring at MadridThe AnnunciationThe Annunciation (Detail)The Balloon Or, the Ascent of the MontgolfierThe Balloon, or the Rising of the MontgolfiereThe Blind Guitar Player, circa 1778The Bodies of Jean de Brebeuf and Gabriel Lallemant Being Skinned by Iroquois in 1649, c.1800-08The Bullfight, circa 1825The Burial of the Sardine (A Carnival Procession)1793The Burial of the Sardine (Corpus Christi Festival on Ash Wednesday) circa 1812-19The Burial of the Sardine circa 1812-19 (Detail)The Carniverous Vulture, Plate 76 of The Disasters of War, 1810-14, Pub. 1863The Cid CampeadorThe Clothed MajaThe Clothed Maja, circa 1800The ColossusThe Colossus, circa 1808The Countess Del Carpio, Marquess De La SolanaThe Countess Del Carpio, Marquess De La Solana (1757-1795)The Countess of Chinchon, Donna Maria Teresa De Bourbon Y Vallabriga, 1800The Devout Profession, Plate 70 of Los Caprichos, Late 18th CenturyThe Dog, 1820-23The Duchess of Alba, 1795The Duchess of Alba, a Suppressed Plate Entitled "Dreams of Lies and Inconstancy"The Duke and the Duchess of Osuna with Their Children, 1788The Duke of Alba, 1795The Duke of Osuna and His Family, 1788The Duke of WellingtonThe Execution, circa 1808-12The Fall or the Accident, 1787The Family of the Infante Don Luis De Borbon, 1783-84The Fates (Atropos), DetailThe Fates (Atropos), One of the Black Paintings from the Quinta Del Sordo, Goya's House, 1819-1823The Fates, circa 1819-23The Florists or Spring, 1786The Flower Girls (Spring), Cartoon for a Tapestry, 1786-1788The Greasy Pole, 1787The Healthy and the Sick, Plate 57 of "The Disasters of War " 1810-14, Published 1863The Hermitage of San Isidro, Madrid, 1788The Holy FamilyThe Ill-Matched CoupleThe Infante Don Francisco De Paula Antonio (1794-1865)The Infante Don Francisco de Paula Antonio, 1800The Injured Mason, 1786-7The Injured Mason, Cartoon for a Tapestry, 1786-1788The Junta of the Philippines, 1815The Kite Cartoon for a Tapestry at the Prado; 1778The Knife-Grinder, 1808-12The Last Communion of St. Joseph Calasanz (1556-1648) circa 1819The Last Supper, 1796-97The Letter Or, the Young Women, circa 1814-19The Madhouse, 1812-15The Maja and the Cloaked Men (El Paseo De Andalucia)The Maja and the Cloaked Men, Cartoon for the TapestryThe Marquesa de Santa Cruz, 1805The Marquesa de Villafranca Painting Her Husband, 1804The Marquesa de la SolanaThe Marquis of Villafranca, Duke of Alba (1756-1796), Painted 1795The Marquise of Santa Cruz, Daughter of the Dukes of Osuna (1784-1851), Painted 1805The Matador Pedro RomeroThe Meadow at San Isidro, 1788The Milkmaid of Bordeaux, 1827The Milkmaid of Bordeaux, circa 1824The Multiplication of the Loaves and Fishes, 1795-96The Naked Maja, circa 1800The Nude Maja, circa 1800The Painter Francisco BayeuThe Parable of the Guests at the Wedding of the King's Son, 1796-97The ParasolThe Parasol, 1777The Parasol, Cartoon for the Tapestry of the Dining Room in the Prado Palace, 1777-78The Picnic, 1785-90The Pottery VendorThe Pottery Vendor, 1778The Pottery-MenderThe Pretty Woman and the Masked MenThe Pyre, circa 1800-05The Same Elsewhere, Plate 23 of "The Disasters of War " 1810-14, Published 1863The Same, Plate 3 of "The Disasters of War " 1810-14, Published 1863The Second of May, 1808. the Riot Against the Mameluke MercenariesThe Second of May, 1808. the Riot Against the Mameluke Mercenaries, 1814The Shamefaced One, Plate 54 of "Los Caprichos " 1799The Sleep of Reason Produces MonstersThe Sleep of Reason Produces Monsters, Plate 43 of "Los Caprichos " 1799The Sleep of Reason Produces Monsters, Plate 43 of "Los Caprichos " Published circa 1810The Sleep of Reason Produces Monsters, from "Los Caprichos"The Snowstorm (Winter), Cartoon for a Tapestry, 1786-1788The Snowstorm, 1786-87The Soldier and the Woman Cartoon for a Tapestry at the El Escorial; 1778-79The Stilts Cartoon for a Tapestry at the PradoThe Straw Mannequin, Cartoon for a TapestryThe SwingThe Swing, 1787The Swing, Cartoon for a Tapestry, 1777-1778The Third of May (Detail), the Execution of Spanish Insurgents by Napoleonic TroopsThe Third of May 1808 (detail)The Third of May, 1808, Painted in 1814The Washerwomen, Before 1780The Water CarrierThe Wedding, 1791-92The Wine Harvest (Autumn), Cartoon for a Tapestry, 1786-1788The Witches' SabbathThe Witches' Sabbath or the Great He-Goat, (One of "The Black Paintings"), circa 1821-23The Witches' Sabbath, 1797-98The Witches' Sabbath, 1797-98 (Detail)The Witches' Sabbath, circa 1819-23The Young (Young Women Reading a Letter), 1812-1814There Isn"t Time Now, Plate 19 of "The Disasters of War " 1810-14, Published 1863There is No-One to Help Them, Plate 60 of "The Disasters of War " 1810-14, Published 1863There was Nothing to be Done and He Died, Plate 53 of "The Disasters of War"These Too, Plate 25 of "The Disasters of War " 1810-14, Published 1863They Can Still be of Use, Plate 24 of "The Disasters of War " 1810-14, Published 1863They Carried Her Off!, Plate 8 of "Los Caprichos " Published 1799They Do Not Agree, Plate 17 of "The Disasters of War " 1810-14, Published 1863They Do Not Arrive in Time, Plate 52 of "The Disasters of War " 1810-14, Published 1863They Do Not Know the Way, Plate 70 of "The Disasters of War " 1810-14, Published 1863They Don"t Like It, Plate 9 of "The Disasters of War " 1810-14, Published 1863They Escape Through the Flames, Plate 41 of "The Disasters of War " 1810-14, Published 1863They Make Use of Them, Plate 16 of "The Disasters of War " 1810-14, Published 1863They Spin Finely, Plate 44 of Los Caprichos, c.1799They are Hot, Plate 13 of "Los Caprichos " Published 1799This is Bad, Plate 46 of "The Disasters of War " 1810-14, Published 1863This is How it Happened, Plate 47 of "The Disasters of War " 1810-14, Published 1863This is What You Were Born For, Plate 12 of The Disasters of War, c.1810-14This is Worse, Plate 37 of "The Disasters of War " 1810-14, Published 1863Those Specks of Dust: Perico the Cripple, Who was Caught Giving Love Potions to LoversTime of the Old Women, 1820Time, Also Called The Old Ones, 1808-1812To the Cemetery, Plate 56 of "The Disasters of War " 1810-14, Published 1863To the Count Palatine, Plate 33 of "Los Caprichos", 1799Transition of Saint Joseph 1787Truth Has Died, Plate 79 of "The Disasters of War " 1810-14, Published 1863Two Lovers in a Courtyard, 1880'sTwo Monks; One, Deaf, Listens to the Others Who Shouts into His EarTwo Old Men Eating SoupTwo Old Men Eating, One of the Black Paintings from the Quinta Del Sordo, Goya's House, 1819-1823Two Old Men Eating, One of the "Black Paintings", 1819-23Two Women and a Man, One of the Black Paintings from the Quinta Del Sordo, Goya's House, 1819-1823Unhappy Mother!, Plate 50 of The Disasters of War, 1810-14, Pub. 1863Until Death, Plate 55 of "Los Caprichos " 1799Washerwomen Cartoon for a Tapestry at the El Escorial; 1779-80Well Known Folly, from the Follies Series, c.1815-24What Courage!, Plate 7 of "The Disasters of War"What Madness!, Plate 68 of "The Disasters of War " 1810-14, Published 1863What More Can be Done?, Plate 33 of "The Disasters of War " 1810-14, Published 1863What a Golden Beak!, Plate 53 of "Los Caprichos", 1799What a Sacrifice!, Plate 14 of "Los Caprichos " Published 1799What a Tailor Can Do!, Plate 52 of Los Caprichos, c.1799What is This Hubbub?, Plate 65 of "The Disasters of War " 1810-14, Published 1863Why Hide Them?, Plate 30 of "Los Caprichos " Published 1799Why?, Plate 32 of "The Disasters of War " 1810-14, Published 1863Winged Nonsense, Plate 5 of Proverbs, 1819-23, Pub. 1864Witches' Sabbath (Acquelarre)Witches' Sabbath (Aquellare), DetailWoodcutters Cartoon for a Tapestry at the El Escorial; 1779-80Yes, He Broke the Pot, Plate 25 of "Los Caprichos " Published 1799You Who Cannot, Plate 42 of "Los Caprichos " 1799
 

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