Ernest Walbourn
| Feeding the Ducks
18 x 24 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Louis Antoine Thomas
| Feeding the Ducks
18 x 24 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Paula Nightingale
| Feeding the Ducks
19 x 27 Art Print
This fine art print is produced on Forest Stewardship Council certified paper, using post-consumer and sustainably sourced paper, and soy-based inks.
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| Feeding the Ducks
9 x 11 Art Print
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Henry John Yeend King
| Feeding the Ducks
18 x 24 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Edward Killingworth Johnson
| Feeding the Ducks
18 x 24 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Alfred Augustus Glendenning
| Feeding the Ducks
24 x 18 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Ernest Giroux
| Feeding the Ducks
24 x 18 Giclee Print
The Giclee printing process delivers a fine stream of ink resulting in vivid, pure color and exceptional detail that is suitable for museum or gallery display. This art print is produced on a heavy 310 gsm, acid-free and watercolor textured paper.
|
Nancy Seamons Crookston
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